Madrid is seen here through a lens that softens and elevates. The city’s usual pulse is reinterpreted with restraint. Light becomes the main character. It spills across terracotta walls and tiled rooftops, bathing tradition in a new kind of clarity. The photographs reveal a quieter Madrid. The ornate becomes minimal. The old becomes weightless. In this version, shadows fall with precision and facades flatten into compositions of form and color. Warm earth tones meet pale blues and faded yellows, constructing a palette that feels sun-bleached and timeless. Every corner is considered. Balconies, plazas, alleyways—all reframed to hold silence. Movement is implied but never shown. Life is present, but distant. What remains is stillness wrapped in light, an atmosphere designed more for feeling than for documenting. This series doesn't aim to capture Madrid as it is, but as it might appear in a moment of introspection. Familiar, yet abstracted. Emotional, without spectacle. It’s a portrait of a city not in motion, but in balance. Stripped of noise, infused with calm, and held together by a vision that finds beauty in control.

"Los Angeles" is a parallel reality. Sun-drenched, sugar-coated, and meticulously controlled. Every image in this series captures a hyperreal version of the city where bold colors aren't just decorative, they're declarative. Lime green walls, bubblegum pink sidewalks, violet trees, and electric blue skies collide in scenes that feel more like memory than documentary. Memories of a place that exist in Téber's mind. There’s a cinematic stillness in these frames. Each composition is stripped of noise, leaving only what serves the vibe. The visual language is minimal, but the energy is loud. People and places don't just coexist. This is not the Los Angeles of struggle. It’s LA reimagined as fantasy. A polished world built from light, geometry, and pure visual dopamine. It invites you to believe that this version of reality could exist.

Each composition is a meditation on what could be if the world tilted just slightly toward wonder. In this journey, AI emerged not as a replacement, but as a bridge from photography. Another path toward the same light he’s always sought. Where time and tools once held the vision back, now intuition flows freely into form. The technology simply listens. The artist still speaks. There is a world that exists just beyond what the eye can see. A world drenched in light, quiet in its boldness, and deliberate in its joy. This is the world Téber has been chasing—not to escape reality, but to rewrite it. What you see isn’t fiction. It’s reality, reimagined. A quiet rebellion against the darkness, rendered in color.

San Francisco is rendered here not as it moves, but as it breathes. Stripped of its usual weight, the city becomes a quiet rhythm of shapes, shadows, and softened light. The photographs invite the viewer to see a different kind of city, one filtered through serenity and precision. Pastels wash over Victorian facades and rolling streets like a slow exhale. The chaos is edited out. What’s left is geometry, symmetry, and color calibrated to soothe. Golden sunlight lingers in corners where silence feels sacred. Even the iconic slopes lose their urgency, becoming part of a balanced composition rather than a challenge to climb. Each image is intentional. Not just in what it includes, but in what it chooses to leave out. The noise, the crowds, the unrest—all removed, not to deny reality, but to offer a parallel one. A version where clarity reigns and light behaves like it knows it’s being watched. This series is not about nostalgia or spectacle. It’s about control. About capturing a place known for its unpredictability and giving it structure, harmony, calm. Through the lens, the city is reimagined, not because it’s distant, but because it’s distilled.

"Eternal Sunshine" is a series where minimalism is the recognition that a single bloom can carry the weight of a poem, and that an empty space can speak louder than any ornament. The simplicity allows the ocean’s vastness to breathe and gives the flowers room to exist with dignity and focus. It is through this restraint that the work holds power. Every placement, every pause in color or form, is intentional. These pieces are built on tension: fragility and immensity, detail and openness, light and shadow. They are invitations into a slower gaze, into the kind of seeing that doesn’t skim but sinks. The ocean teaches us depth. The flower teaches us impermanence. Minimalism, here, is the vessel that lets them meet without interruption.

These photographs were created right at the beginning of the global pandemic announced by the World Health Organization. The compositions maintain a minimalist and colorful aesthetic while also depicting the feeling that most humans had in March of the year 2020.